![]() ![]() Just as a personal preference I drag the "File" view at the left of the eclipse window Now expand "Aptana Views" and select "File" What you are looking for is hidden in here: Window->Show View->Other… Restart eclipseĬonfigure Aptana 2.0 eclipse plugin for FTP Wait for installation and accept not-signed material. Once more, next, next, accept licences and finish. Unfortunately a PDT download is no longer availableīUT you can use Help -> Install new software… and inside the dropdown list of "Work With" select:Ĭlick Next, click Next, click Finish, wait for installation, restart eclipse.Īgain go to Help->Install new software… and copy paste the following link inside "Work With": You probably already use Eclipse but right now I just downloaded Eclipse Indigo (version 3.7) classic. and once a while remember to download the whole directory from FTP server for backup purposes. and I am not sure if the way aptana 3.0 works can verify this synchronization. Furthermore I would like to edit my project using different computers / laptops from office, home etc. The main difference is this: Aptana 2.0 ftp just edits remote files while Aptana 3.0 synchronizes local files with remote files reducing bandwidth and allowing a local copy of your files.Īlthough the advanced features of Aptana 3.0 seem intriguing they require much more configuration. Aptana has many great features but someone must spend precious time to explore them all.Īs yourself, I imagine, me too I spend some hours reading vague or uncompleted tutorial about installing aptana plugin in eclipse and exploiting its ftp plugin.įirst of all let’s make clear that Aptana 3.0 behaves much differently from Aptana 2.0 in a way which is explained in this link: It comes in both 32-bit and 64-bit downloads.Here we’ll try to solve this issue: the lack of ftp support from eclipse IDEĮclipse is an IDE but greatly based on external plugins and FTP is no exception!Īptana is a standalone IDE itself based on eclipse so it comes as no surprise that there is an official Aptana plugin for eclipse. Previous versions of the operating system shouldn't be a problem with Windows 8, Windows 7 and Windows Vista having been tested. What version of Windows can Aptana Studio run on?Īptana Studio can be used on a computer running Windows 11 or Windows 10. Download and installation of this PC software is free and 3.07301111 is the latest version last time we checked. This excellent web development application is aimed at those with experience and acts as an excellent free alternative to programs like Dreamweaver or Notepad.Īptana Studio is provided under a freeware license on Windows from programming software with no restrictions on usage. Thanks to its flexible architecture, Aptana Studio 3 is able to expand its functions through the use of plugins, which can also allow to develop web applications for iPhone and Adobe Air.Īptana Studio also includes a JavaScript debugger for Firefox and an FTP client to upload your completed (or uncompleted) projects to an FTP server of your choice. The easy-to-use step-by-step wizard allows to create new web-based projects and work on the code. ![]() Within its neatly organized interface, you are given access to numerous tools to work with like HTML, CSS, JavaScript and Ajax and many more. Aptana Studio is really great for those who work a lot with Ajax and JavaScriptĪptana Studio is an open source development environment directly to the creation of web pages and applications. The use of the plugins offered for free allow you to extend its functionality. Web development suite of utilities for building web applications with support for popular languages like HTML, CSS, JavaScript, Python, Ruby and PHP.Īptana Studio 3 is a powerful editor for developing web applications. ![]()
0 Comments
![]() ![]() Forthcoming studies are utilizing human nerve samples to verify aforementioned target genes. Novel and established genes upregulated within repair SCs are presented, yielding new potential therapeutic targets to prolong the repair SC phenotype and enhance nerve regeneration. ![]() In situ hybridization verified tissue expression of targets obtained in silico.Ĭharacterization of the murine facial nerve cellulome with scRNAseq is described for the first time. Known and novel genes expressed by repair SCs and resident cells of the peripheral nerve were identified. ![]() The Chromium X is compatible will all 10x Genomics chemistry and reagent kits allowing single-cell gene expression, immune profiling, ATAC chromatin accessibility and targeted gene expression. The peripheral nerve cellulome in healthy and injured murine facial nerve is characterized. Chromium X is the flagship instrument for all things single-cell from 10x Genomics. Tissue expression of identified gene targets was assessed with in situ hybridization. Differential gene expression analysis was utilized to identify novel transcriptional signatures. The suspension was processed through the 10X Chromium scRNAseq platform and sequencing of over 5,000 cells per condition was performed. Five days post-injury, distal nerve segments were harvested and dissociated into a single-cell suspension. Sox10-venus mice labeling Schwann cells underwent unilateral facial nerve transection. Herein, we employ single-cell RNA sequencing (scRNAseq) to characterize the peripheral nerve cellulome and delineate transcriptional states of Schwann cells transitioning from mature to repair phenotypes. However, the complex signaling that produces repair SCs requires further analysis to develop therapeutic tools to enhance regeneration through promotion and maintenance of the repair SC phenotype. How should the 10x Genomics gaskets and chips that have been used to run samples containing infectious agents be disposed We recommend discarding the used gaskets and chips according to applicable biosafety guidelines of your institution. Upregulation of transcription factor cJun is critical to the transdifferentiation of myelinating and non-myelinating Schwann cells (SCs) into repair SCs after peripheral nerve injury. of Otolaryngology, Harvard Medical School / Massachusetts Eye and Ear, Boston, MA Join us to learn how 10x Genomics Chromium Single Cell 5 Barcode Enabled Antigen Mapping (BEAM) empowers rapid discovery of antigen-specific B-cell. Eye and Ear/ Harvard Medical School, Boston, MA, (2)Boston Children's Hospital, Boston, MA, (3)Harvard Chan School of Public Health, Boston, MA, (4)Facial Nerve Center - Dept. Suresh Mohan, MD 1, Alan Tenney, PhD 2, Zhu Zhuo, PhD 3, Brandon Pratt, BS 2, Thomas Collins, BS 2, Alon Gelber, BS 2, Shannan J Ho Sui, PhD 3, Tessa A Hadlock, MD 4, Nate Jowett, MD 4 and Elizabeth C Engle, MD 2, (1)Mass. Characterizing Schwann cell transcriptional states in peripheral nerve regeneration with single-cell RNA sequencing ![]() ![]() If you do not agree to them, please do not use the Site. By using the Site, you fully and unconditionally accept and agree to these Terms of Use. ("we") provides (the "Site") subject to these Terms of Use and all applicable laws and regulations. IT ALSO CONTAINS A DISPUTE RESOLUTION CLAUSE. IT CONTAINS IMPORTANT INFORMATION ABOUT YOUR RIGHTS AND OBLIGATIONS. Please note that we are unable to process walk-in returns.
![]() The set encompasses the Abbey Road Mastering Studios 2015 remastered edition of the album for the first time on CD, along with two discs of previously unreleased and newly restored bonus live content newly mixed from the original analog live multi-tracks by Rush’s original producer, Terry Brown, featuring the band’s complete, unreleased Toronto concert from Maple Leaf Gardens in Toronto, Ontario, on Ma(designated here as “Live In YYZ 1981”). The Super Deluxe Edition includes three CDs, one Blu-ray Audio disc, and five high-quality 180-gram black vinyl LPs. “Witch Hunt” (subtitled as being “Part III of Fear”) offers a grim view of prejudice and mob mentality, while the album wraps up with the angular, cutting-edge “Vital Signs,” a propulsive track that clearly foreshadows a number of the more adventurous musical directions Rush would undertake as the ever shifting 1980s continued to unfold. Side B commences with the expansive palette of “The Camera Eye,” a multi-layered, ten-minute-long travelogue that takes a bird’s eye view of the inherent hustle and bustle of New York City counterbalanced with the intense energy and deep-rooted history of London. Side A closes out with the observational luminescence of “Limelight,” a timeless, if not prescient look at how introverted artists grapple with public demands while trying to maintain a personal level of earned privacy. The instrumental barnburner “YYZ,” lovingly named after the airport identification code for Toronto’s Pearson International Airport, runs the gamut of the band’s forever impressive progressive chops in under four minutes flat. Next, the band shifts into the multi-generational dreamscape of “Red Barchetta,” which chronicles the thrills and chills of a high-stakes backroads car race. ![]() The album’s lead-off track, “Tom Sawyer,” became one of Rush’s most cherished FM favorites in addition to taking its rightful place as a perpetual concert staple for decades to come. Moving Pictures was also the second of many Rush recording sessions at Le Studio in Morin-Heights, Quebec, which was ultimately nicknamed the trio’s own personal Abbey Road recording studio. The album’s seven songs expertly blended Rush’s intrinsic prowess for channeling its progressive roots into radio-friendly arrangements, a template the band had mastered to a T all throughout its previous album, 1980’s deservedly lauded Permanent Waves. Moving Pictures, Rush’s eighth studio album, was originally released on February 12, 1981, and its adventurous yet accessible music catapulted the forward-thinking Canadian band to even newer heights as it began navigating the demands of a new decade. On April 15th, UMe/Mercury and Anthem Records label groups continue the extensive Rush 40th anniversary album series with new, expanded editions of the band’s groundbreaking 1981 release, Moving Pictures, embodying its well-deserved classic album status. Moving Pictures-40th Anniversary will be available to fans in six distinct configurations, including the (1) Super Deluxe Edition, (2) three-CD Deluxe Edition, (3) five-LP Deluxe Edition, (4) one-LP Edition, (5), Digital Deluxe Edition, and (6) Dolby Atmos Digital Edition and can be pre-ordered and pre-saved, HERE Watch The ‘Moving Pictures-40th Anniversary’ Unboxing Video: Moving Pictures 40th Anniversary Release STEP INTO THE LIMELIGHT WITH RUSH’S ‘MOVING PICTURES’ Commemorate the classic album’s 40th anniversary with expanded reissues on April 15, 2022 No matter how you slice it, The Spirit Of Radio is poorly programmed.Rush – Moving Pictures – 40th Anniversary Edition Curiously, you won’t even find their first single In The Mood, which was a hit by anybody’s measure. Anyway, you won’t find any of those songs here. Trouble is, so many of Rush’s best tunes were never hits - Finding My Way, Anthem, A Passage To Bangkok, Bastille Day, Xanadu, Lakeside Park, Something For Nothing, Cygnus X-1, By-Tor And The Snow Dog, La Villa Stran … sorry, I geeked out for a sec there. Given all that, it’s hard not to be disappointed by the hits set The Spirit Of Radio, which collects 16 CanCon mainstays including Closer To The Heart, Freewill, Limelight, Tom Sawyer, Red Barchetta, New World Man and Subdivisions. Especially since their songs tend to be longer than the average three-minute pop fluff. ![]() With about 30 years and 20 albums under their belt, Canuck prog-rock legends Rush are obviously one of them. ![]() There are some bands whose careers can’t be summed up in a single best-of CD. Here’s what I said about it back then (with some minor editing): This came out in 2003 – or at least that’s when I got it. ![]() ![]() ![]() Society for Pidgin and Creole Linguistics and Associação de Crioulos de Base Lexical Portuguesa e Espanhola. Macau Pidgin Portuguese: a new source and its implications. 15th International Conference on Diversity in Organizations, Communities, and Nations. Ethnic diversity in early Hong Kong: A linguistic landscape study. 8th Conference on Language, Discourse, and Cognition (CLDC), 13-14 May. Semantic extension of visual perception verbs in Cantonese. 21st International Conference on Yue Dialects, 12-13 December. The polysemy of the Cantonese visual perception verb gin3. Guangdong University of Foreign Studies, China. The 11th International Conference of the Asian Association for Lexicography, 10-12 June. Bilingual glossaries in Chinese almanac: space for informal language learning. Université Sorbonne Nouvelle, Paris, France. The 14th International Conference On The History of The Language Sciences, 28 August – 1 September. Language history from below: evidence from Chinese Pidgin English. University of Reading, United Kingdom, 5-7 July 2018. HoLLTnet international meeting: 'Bi-/Multilingualism and the History of Language Learning and Teaching'. 24th Conference of the International Association of World Englishes (IAWE), 20-22 June. When Chinese Pidgin English Took Centre Stage. Conference of the Association of Portuguese and Spanish-Lexified Creoles & the Summer Conference of the Society for Pidgin and Creole Linguistics, 17-19 June. Makee constructions in Chinese Pidgin English. ![]() ![]() Origins of a preposition: Chinese Pidgin English long and its implications for pidgin grammar. In Hugo Cardoso, Alan Baxter & Mário Pinharanda (eds.), Ibero-Asian Creoles: Comparative Perspectives, p. Portuguese pidgin and Chinese Pidgin English in Canton trade. In Susanne Michaelis, Philippe Maurer, Martin Haspelmath & Magnus Huber (eds.), Survey of Pidgin and Creole Languages, Volume I: English-based and Dutch-based languages, pp. Leipzig: Max Planck Institute for Evolutionary Anthropology. In Susanne Michaelis, Philippe Maurer, Martin Haspelmath & Magnus Huber (eds.), Atlas of Pidgin and Creole Language Structures Online. Macau Pidgin Portuguese and Creole Portuguese: a continuum? In Armin Schwegler, John McWhorter & Liane Ströbel (eds.), The Iberian Challenge: Creoles Languages Beyond the Plantation Setting, pp. Transactions of the Philological Society, 114(3): 298-314. Trade pidgins in China: Historical and grammatical relationships. Journal of Pidgin and Creole Languages, 31(1): 141-183. The emergence of so as a complementizer in Chinese Pidgin English. Historical Journey in a Linguistic Archipelago: Descriptive Concepts and Case Studies, pp. In Émilie Aussant and Jean-Michel Fortis (eds.). Language History from Below: Pidgins and Creoles as Examples. Project duration: 1 January 2019 – 30 June 2021 Publications Title: Origins of the grammar of Chinese Pidgin English (UGC/FDS11/H01/18), Faculty Development Scheme, RGC HK$464,700 Research interests: bilingualism, language contact, pidgins and creoles, lexical semantics, Chinese linguistics, iconicity, grammaticalization LENG302 English Communication for Social Sciences II.LENG103 Professional Communication in Health Care.LBS302 Contrastive Analysis of Chinese and English.Her recent projects include the construction of a corpus of Chinese Pidgin English funded by the Research Grants Council (RGC), the use of contact varieties of English in Southeast Asia and the Pacific, and the grammar of a Hokkien-Spanish pidgin spoken in the Philippines. She studies extensively the historical development and grammar of Chinese Pidgin English. She specializes in bilingualism and language contact, particularly pidgins and creoles of the Asia-Pacific region. (852) Dr Li earned her PhD in linguistics from the University of Hong Kong and joined Caritas Institute of Higher Education (CIHE) in 2015. Room A615, 2 Chui Ling Lane, Tseung Kwan O, N.T., Hong Kong ![]() |